The Girl Who Dreamed of Paris Read online

  Praise For Natalie Meg Evans

  Praise for Natalie Meg Evans

  ‘Rich in detail, this is a pacy and engaging read, full of cloak and dagger intrigue, beautiful clothes and romance’ Sunday Mirror

  ‘Fresh and exuberant and full of authentic detail’ Rosanna Ley, author of The Villa

  ‘This story is as glamorous as the gowns it describes’ The Lady

  ‘A truly accomplished and delicious debut novel’ Laurie Graham

  ‘A delicious treat of a novel. I loved the setting in 1930s Paris and I was utterly charmed by the story’s delectable heroine, as she struggled to make her mark in this seductive but perilous world’ Margaret Leroy, author of The Collaborator

  ‘A fascinating evocation of a great fashion house and the knife-edge the designers live on. Natalie Meg Evans is a born storyteller’ Sara Craven, bestselling writer of romances

  About the Author

  Also by Natalie Meg Evans

  Winner of the 2014 Festival of Romantic Fiction’s Best Historical Read award

  Winner of the 2015 Public Book Awards

  Shortlisted for the 2015 Romance Writers of America (RWA) RITA Awards

  About the Author

  In the late 1970s, Natalie Meg Evans ran away from art college in the Midlands for a career in London’s fringe theatre. She spent five years acting, as well as writing her own plays and sketches before giving it up to work in PR. She now writes full-time from her house in rural north Suffolk.

  Natalie Meg Evans has been awarded numerous other accolades for her writing including the Harry Bowling Prize (2012). She was also nominated for a coveted Daphne du Maurier award and was named a finalist for a Romance Writers of America Golden Heart and RITA © award.

  The Girl Who Dreamed of Paris

  Natalie Meg Evans

  Imprint page

  First published in Great Britain in 2015 by

  Quercus Publishing Ltd

  Carmelite House

  50 Victoria Embankment

  London EC4Y 0DZ

  An Hachette UK company

  Copyright © 2015 Natalie Meg Evans

  The moral right of Natalie Meg Evans to be

  identified as the author of this work has been

  asserted in accordance with the Copyright,

  Designs and Patents Act, 1988.

  All rights reserved. No part of this publication

  may be reproduced or transmitted in any form

  or by any means, electronic or mechanical,

  including photocopy, recording, or any

  information storage and retrieval system,

  without permission in writing from the publisher.

  A CIP catalogue record for this book is available

  from the British Library

  PB ISBN 978 184866 911 6

  EBOOK ISBN 978 1 78429 106 8

  Cover design © 2017 Debbie Clement

  This book is a work of fiction. Names, characters,

  businesses, organizations, places and events are

  either the product of the author’s imagination

  or used fictitiously. Any resemblance to

  actual persons, living or dead, events or

  locales is entirely coincidental.

  Dedication

  This book is dedicated to my sister Anna

  Contents

  Introduction

  Part One

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Part Two

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Part Three

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-one

  Chapter Twenty-two

  Chapter Twenty-three

  Chapter Twenty-four

  Part Four

  Chapter Twenty-five

  Chapter Twenty-six

  Chapter Twenty-seven

  Chapter Twenty-eight

  Part Five

  Chapter Twenty-nine

  Chapter Thirty

  Chapter Thirty-one

  Chapter Thirty-two

  Chapter Thirty-three

  Chapter Thirty-four

  Part Six

  Chapter Thirty-five

  Chapter Thirty-six

  Chapter Thirty-seven

  Chapter Thirty-eight

  Chapter Thirty-nine

  Chapter Forty

  Epilogue

  Acknowledgements

  Introduction

  Paris: Saturday, 13 July 1940

  They would have been a spectacular sight in any city at any time. Bare shoulders, impish hats and upswept hair. One, a blonde in her mid-thirties, crossed the dance floor on a zephyr of sex appeal. A younger blonde walked as if she suspected the room was infested with snakes. The third, a redhead, followed like a sleepwalker.

  A band pumped out a hot jazz version of ‘La Marseillaise’ – so loud, bottles on the bar shimmered. ‘They know it’s illegal to play that, don’t they?’ The younger blonde, whose name was Coralie de Lirac, glanced uneasily at the stage. ‘Nobody’s dancing.’

  ‘It’s too damn early,’ said the older one. ‘I can’t get used to being in a nightclub at teatime.’

  A month before, hours after they had marched into Paris, the Germans had moved the clocks to Berlin time and imposed a curfew that effectively sealed people into their homes. Then, realising Paris would grind to a halt, they’d relaxed the curfew to midnight. If you stayed later, you were stuck wherever you happened to be until five the next morning. But, then, Coralie reminded herself, the Nazis hadn’t invaded France for the convenience of its inhabitants. ‘Let’s get a table,’ she said. ‘Don’t make eye contact with anything male under ninety. Una? Keep your mind on the job.’

  ‘Of course. Though we may have to kiss a toad or two before we find what we’re looking for. Oh, don’t take fright, Tilly dear.’ Una McBride threw an arm round their redheaded companion, who had stopped dead at the word ‘toad’. ‘Coralie and I will take care of such niceties. Or “un-pleasantries”, which will be closer to the truth.’ Una’s drawl marked her out as American.

  Coralie indicated a table. ‘Over there. Come on, or we’ll be mistaken for the floor show.’ Before they got much further, though, the club’s proprietor spotted them and ushered them to a table of his choosing, closer to the music and the bar. A young man with a boxer’s physique, he wore a white tuxedo and a rose in his buttonhole. ‘Mesdames, enchanted. Welcome to the Rose Noire.’ He kissed their hands in turn, lingering over Coralie’s. ‘Mademoiselle de Lirac, you have been away too long.’

  ‘I’m flattered you noticed.’ As she sat down in the chair he pulled out for her, Coralie undid and refastened her bracelet, to avoid meeting his smile. When she’d first started coming here in the summer of ’37, Serge Martel had been a glamorous figure, oozing charm, taking care of customers’ every whim. She’d been poleaxed when she’d heard he’d later been arrested for violently assaulting one of his female singers and sent to prison fo
r seven years. Eighteen months he’d served. Nobody knew how he’d got out so early – who had greased the prison doors – but there was something new and unnerving in his manner. Coralie tried to catch Una’s eye, but her friend was busy sizing up the clientele.

  Martel, meanwhile, clicked his fingers at an elderly waiter shuffling towards them with a tray of champagne. ‘Quickly, quickly, man. We have thirsty ladies here.’

  The waiter called back, ‘If I was younger and faster, Monsieur, I’d be in the army!’ but he hurried forward nonetheless.

  Félix Peyron poured vintage Lanson into three glasses, and Coralie noticed how his hands shook. An institution on boulevard de Clichy, he’d aged as though the shock of defeat and invasion had knocked the life out of him. It looked as if he’d taken to rubbing talcum powder into his cuffs to whiten them, but tonight his collar looked distinctly yellow next to Martel’s tuxedo. How did Martel keep his tux so white, she wondered? It was easier to get to Heaven than to find washing soda these days, and laundries gave priority to German linen. Paris had not been bombed, like Warsaw or Rotterdam, but everything was running low: food, fuel . . . hope. For ordinary citizens, anyway. Counting the field-grey uniforms in the club, the caps with their silver eagles laid down on the best tables, Coralie formed her own conclusions about Serge Martel’s recent good fortune.

  Having placed the bottle in its ice bucket, Félix stepped back and bowed. ‘You are welcome at the Rose Noire, Mesdames, as beauty is always welcome.’

  ‘Why, Félix, you wicked seducer.’ Una picked up her glass. ‘We’ll have to keep an eye on you, I can see that.’

  Here we go, Coralie thought. If it wore trousers, Una fluttered her eyelashes at it, though tonight her attention was really focused on the stage. Specifically on the Romany violinist, whose sweaty curls obscured half his face and whose shirt hung off one shoulder.

  ‘The Vagabonds are on good form tonight.’ Coralie spoke lightly, watching Una’s reaction.

  ‘Aren’t they just? But I wish they’d stick to jazz standards. Changing the time signature of “La Marseillaise” doesn’t fool anyone.’ Una blew tumbleweed kisses towards the stage, and the violinist broke off long enough to return one. Gentle applause spread around the room. People were looking their way, women in particular. Coralie saw one pull a silk flower from her evening bag and pin it into her hair, as if she felt underdressed in comparison.

  Félix, lighting their table candle, chuckled. ‘People see a love affair flowering and it makes them happy, though we are at war.’

  ‘No, sir, it’s our hats that are stealing the show.’ Una tapped the miniature Gainsborough confection pinned over her ear, ruffling its cascade of flowers and dyed feathers. She said to Coralie, ‘I promised you these bijou babies would be a sensation.’

  ‘I said they would be. I wish you’d stop pinching my ideas.’

  ‘Oops.’ Una took an indulgent gulp of champagne. ‘I forget I’m only the muse and not the milliner. By next week, they’ll be the rage. There’ll be a queue from your shop to the river.’

  Coralie waited for Félix to leave. ‘Assuming we’re still here next week. Tilly?’ Their friend was staring into her glass as if she suspected prussic acid among the bubbles. ‘Drink it or put it down. People will think you’ve got something to be scared of.’

  ‘Have I not?’ came the whisper.

  ‘Well . . . try not to show it.’ Then Coralie said, out of the side of her mouth, ‘I don’t think she can do this, Una.’

  ‘What choice does she have? We can’t risk taking her home because all our houses will be under surveillance. Her only chance is “over the line into the free zone and keep moving”. And before you talk of putting her on a train to the border, imagine her negotiating timetables, not to mention police checks.’

  Una was right. Ottilia had to escape Paris and a car ride was her only hope. They now had to acquire by charm what they couldn’t get by queuing at a police station – her name on a road-travel permit. An Ausweis, to give it its official, German, title.

  Una extracted a Chesterfield cigarette from an elegant case, her gaze never leaving the stage where the Vagabonds were polishing off the last bars of ‘La Marseillaise’. ‘Stand and clap when they’re done,’ she instructed Coralie.

  ‘Why don’t we wave the French flag while we’re at it? Then we could all get arrested and carry on the party in jail. I’ve never seen so many German officers in one place. I thought they hated jazz.’

  ‘Your German friend liked it.’

  ‘He was different.’ Off limits, Coralie’s tone warned. ‘We shouldn’t be here. Any of the regulars might recognise us.’

  ‘Sure, but not Tilly. And, hey, we have a saying where I come from – “If you want to hide in the mustard, wear yellow.”’

  ‘We’re not in the mustard but we could be in the soup.’

  Una rose to clap and, reluctantly, Coralie did too. The Vagabonds acknowledged the applause, then retreated into the shadows at the rear of the stage. Ottilia seemed to have slipped into a trance. Sitting down again, Una fitted her cigarette into a cream-coloured holder and accepted a light from a man at a neighbouring table. She blew a little smoke on him. ‘Merci mille fois. I guess we’ll catch up later.’

  Once he’d retreated, she whispered to Coralie, ‘Don’t look round, but see those conquering heroes at the bar?’

  ‘How, without looking?’

  ‘Take my word for it, they exist. I sense they would like to buy us our next bottle of champagne. Shall we strike up a conversation?’

  Coralie rolled a look their way and her stomach rose in revolt. The men wore black uniforms and lightning-strike SS insignia on their collars and they must have noticed Una smiling because their features suddenly sharpened in anticipation. Putting her hand against her mouth so that nobody could lip-read her words, Coralie said, ‘They could be Gestapo. I can’t be sure, but something feels wrong.’

  ‘Gestapo means “secret police”, right?’ Una lit a second cigarette. ‘Not that secret, lolling around in uniform, giving us the glad-eye. Hold your nerve and give this to Tilly.’

  Coralie put the cigarette into Ottilia’s fingers, finding them ice cold. Una was right, of course, it was too late to alter their plan. A car was leaving here at dawn and all Ottilia had to do was sit in it. Provided with forged documents, a change of clothing and a couple of months’ worth of francs and occupation currency, she had every chance of getting to the Spanish border and freedom. All they needed was a German policeman of sufficient rank to apply his signature to the permit in Una’s handbag.

  All they needed . . .

  Plaintive notes announced the Vagabonds’ second set. The boys had changed into crimson silk shirts with Magyar sleeves and tight sashes. Their leader, Arkady Erdös, was tuning his violin, his dark gaze raking the audience. So he’d swung the forbidden ‘Marseillaise’? What do I care? he seemed to be saying.

  Trouble was, they would care, those rule-obsessed Germans. Coralie whispered, ‘Does Arkady know he’s taking an extra passenger?’

  ‘Sure he does, and the others will find out when they snuggle up in the car together.’

  Ottilia had put her cigarette straight between her lips and was drawing on it with such urgency that its end glowed amber. Forgetting to be cautious, Coralie scolded, ‘You look like a factory hand after a night-shift!’ Digging into her friend’s beaded evening purse, she searched for the twenty-two-carat cigarette holder she’d reluctantly allowed her to bring with her. She’d just located it when breath on her shoulder made her jump. The holder flipped out of the bag, carrying with it a small, fawn-coloured booklet.

  Her blood ran cold.

  Serge Martel smiled down. ‘Ladies, some military gentlemen have asked permission to join you, if—’

  ‘Tell them no.’ Coralie covered the booklet with her palm. ‘Girls only tonight.’

  �
�You don’t understand, Mademoiselle,’ Martel said silkily. ‘They “ask permission” but they are not expecting a refusal. What are you hiding under your hand?’

  ‘Nothing.’

  Martel lunged and, a moment later, was flourishing the booklet. It was an identity card. Nothing unusual in that. They all carried one, by law. But this was Ottilia’s true identity, stating her real name and country of origin. She was meant to have burned it! Simply possessing it could mean lethal trouble. And not just for her, for all three of them. Coralie said slowly, ‘Monsieur Martel, please give it back to me.’

  A playful eyebrow answered her. Martel shared the same platinum-gold colouring as many of the officers at his tables, but not their spare professionalism. His stock-in-trade was his affable manner, his sexy familiarity with women. Liked a joke, did Martel. As he tilted his head, Coralie saw that his nose was crooked, as if someone had once swung a granite-forced punch at him. Perhaps that was why he kept the lights in his club so low. Because he was vain. Even back in the old days, when she’d liked him better, she’d sometimes caught him preening.

  In the lightest voice she could muster, Coralie said, ‘You know that technically ID cards belong to the state? And they are rather private.’

  ‘Do hand it back, Serge honey.’ Una exhaled smoke. ‘Don’t be a cad.’

  ‘But I wish a little peep, Madame. Maybe I am curious.’

  ‘Remember what curiosity did to the cat.’ Una delicately stubbed out her cigarette. ‘There is above-top-secret information on that card that would oblige me to kill you should you become acquainted with it.’

  Coralie shot her an appalled look.

  ‘Secret?’ Martel echoed.

  ‘Uh-huh.’ Una paused so long, Coralie was tempted to push her off her chair. ‘It will reveal our friend’s date of birth and thus her age, which she’s lied about for ten years solid. We would be forced, one way or another, to silence you.’

  ‘Have me arrested?’ Martel’s gaze travelled to the black-uniformed men three tables away. Just as Coralie was sure she’d forgotten how to breathe, he gave a belt of laughter. ‘We’re playing charades, but you win, Madame. Voilà!’ He tossed the card on to the table and it fell open against the candlestick. They all saw an unsmiling snapshot of Ottilia with side-parted hair, curls clustering over her ears.